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Wednesday, February 27, 2013

'The Boondocks' Creator Aaron McGruder Tells Us About 'The Uncle Ruckus Movie'


It's always scary when Hollywood tries to bring your favorite comic and cartoon characters to life in live-action films. For every success story like Sin City, there are innumerable steaming piles of shit like Aeon Flux. So when I heard there were plans to pull Uncle Ruckus from the pages of The Boondocks and put him on the big screen in a live-action R-rated comedy, I had a lot of questions. Uncle Ruckus isn't just any ordinary fictional character, and The Boondocks isn't your average comic strip and animated series. The Boondocks, now in the middle of producing its fourth season for Cartoon Network's Adult Swim, is one of the few programs on television that uses scathing satire to make you laugh and think critically about racial issues, politics, and modern life in America. And Uncle Ruckus—the white-people worshipping one-eyed right-wing nut job whose name has superseded "Uncle Tom" as the preferred pejorative for black sell outs—is probably the show's most compelling and painfully hilarious character. When I first heard about the proposition of The Uncle Ruckus Movie, the last thing I wanted was for Hollywood to swoop in and make a quick buck by cashing in on the laughs Ruckus's racist barbs garner, without delivering the more thought-provoking messages on race relations that we get in The Boondocks comic and show. 
Then I saw the teaser below, and all of my doubts were put to rest. In it, actor Gary Anthony, who voices Ruckus on the Adult Swim series, appears in full Ruckus regalia, equipped with a rotund belly and the signature snaggletooth. It looks perfect. And most importantly, Boondocks creator Aaron McGruder is spearheading the production, ensuring that it will be smart, confrontational, and funny, instead of a soulless cash grab. 
To raise funds for the production of The Uncle Ruckus Movie, Aaron's team has launched a Kickstarter. They're only about halfway to their goal of $200,000, and there is only a week left to pledge. So hurry up and contribute because if they don't hit their target by March 1st, the project won't be funded, and we'll never get to experience all of the new and awful ways in which a real life Ruckus can racially berate his fellow human beings.
I used this exciting news of The Uncle Ruckus Movie as an excuse to badger Aaron McGruder's press people until they let me talk to him  for a half hour. We chatted over the phone about the new film, the origin of Ruckus, and a bunch of other things like black self-hatred, post-Obama race relations, and why Herman Cain is a real-life Uncle Ruckus. 





VICE: How did you know you wanted to make a movie about Ruckus?
Aaron McGruder: It started with the fact that I’ve never had a real interest in doing anything live action with Huey and Riley, because they are impossible to cast. Even if we found two perfect kids, they would grow out of that perfect state pretty quickly. The animated series really made it impossible since their voices have been established in the minds of the fans. If you deviate from that, people are going to hate you.
Why was Ruckus different?
Well, we could still use the same voice actor from the show. Gary Anthony Williams is a brilliant actor. He gives that character a lot of charm and depth that Ruckus doesn’t seem like he should have. Having Gary play Ruckus could make it an accurate translation from animation to live action. It’s an odd idea, but the more we explore it and we see Gary in character interacting with real people, it really works.
How did you develop Ruckus’s character?
It came together in pieces. The Boondocks were just being formulated and a couple of my friends were talking shit and someone came in and said, “Aaron, you should make a character named Ruckus after this nigga.” For some reason, that stuck with me. That character was created at roughly the same time as the others, but he didn’t make it into the strip until a few years later. The first time I drew him was probably 2003 or 2004, when we were making the pilot of the show. I was setting up everyone and I drew Uncle Ruckus. I started with the big eye.
How did you know that Gary was perfect as Uncle Ruckus?
He came in and auditioned. We spent a long time auditioning people. But of all the characters, he walked in and that voice came out right away. There wasn’t much debate about it once he opened his mouth. I think Gary’s one of the most talented people in the business. He’s got a unique sense of humor. He is on the level of Stephen Colbert or Ricky Gervais—someone with their own, unique thing that can’t be replicated by anybody else.
What set Ruckus apart from the other characters?
He’s a character that was ahead of his time. I look at the world today, and it is surprising how much Ruckus is a character for the times. Even more so now than Huey and Riley’s granddad.
How so?
I came up with Ruckus before the Tea Party, and before Herman Cain. But in the post-Obama era, half the country became Uncle Ruckus. The world is more polarized and extreme. Ruckus embodies that. I remember watching CNN when Herman Cain was the frontrunner for the Republican party, and they did a segment on whether Herman Cain was Uncle Ruckus. [Ed. note: This segment is no longer available online.] They brought in an expert and had pictures of them side by side... I couldn’t believe what I was watching. When Ruckus was first introduced, he felt like a funny, fringe character. He was bizarre and really extreme. Now, he feels like he represents a lot of right wing ideology. It’s crazy, but the times caught up to him.
Is it hard for you to write the dialogue that he speaks? It can be pretty brutal and filled with self-hate.
No way. It’s a lot of fun. It’s so big and so broad and so crazy. But we’re still mindful of how far is too far. You never forget that there’s a line and you have to figure out how and when to cross it. But no, as vile as it all is, it’s actually a great time.
Are you afraid that some white people are so stupid they’ll watch the Uncle Ruckus character because they agree with him without realizing it's satire? And would that undermine your ultimate purpose?
Yeah, there are a lot of people who like The Boondocks for the wrong reasons. And a lot of people who don’t like The Boondocks for the wrong reasons. Just like there are people who think that Stephen Colbert is a real conservative and a lot of people liked All in the Family because they liked what Archie Bunker thought about the world. They didn’t get the irony. When you’re doing this kind of work, that’s unavoidable. The people who don’t get Uncle Ruckus and say, “That’s racist, I will never watch that," don’t see him as a commentary on right-wing ideology or racism or self-hate or anything. They just say, “Oh. Racism. Bad.” It's the same thing with people who go, “That guy’s making fun of black people. I like that. I also don’t like black people.” They’re not getting it, either. But I don’t worry about it. It’s one of those things that you know is going to happen.
As a black man, the self-hate aspect of Ruckus is one of the things that really makes him so powerful to me. Is there a way for our people to get beyond that?
It’s difficult to say. Culturally, things move slow. You hope that people evolve. Uncle Ruckus represents an ignorant past that we can look back and laugh at because we are a long way away from it now. At least, that’s what you hope... But I think part of why the character is popular is because a lot of us know somebody like him. We know black people who are stuck in the 1800s. All of their anger and rage at being black in America has somehow been redirected back onto other black people. But guys like Herman Cain make you realize that this self-hate is still alive. We see them in very public roles. The fact that Cain was the presidential frontrunner says a lot. Maybe we’re not as far removed from that mentality as we’d like to think.
How do you go about repairing the damage for future generations?
There’s no real answer other than time and progress. Everything fades into memory eventually. I think we are still plagued by contemporary versions of the after-effects of slavery and that is where this mentality of Uncle Ruckus comes from. There’s so much language that’s used in the political discourse that harkens back to the height of segregation and Jim Crow. Food stamps, government handouts, “They just want Cadillacs…” America has to move past all of that and become a more civilized place. Everything else is just time.
Is it good to forget the past? Or does that mean we are destined to repeat it?
Generations die off and new ones come along and they really don’t know what happened before. That can be good because they don’t have the baggage. But as long as we’re still stuck, as a country, in such a rudimentary way of thinking about race and politics and all of that, it will continue on.
Connecting that idea of baggage—was that what led you to think a black man could never be president in this country?
I think the idea of a black president seemed so impossible because I thought about the president as the person with all the power. At a certain point you realize that he doesn’t have the power. When Ruban Studdard was going against Clay Aiken, there was the debate about whether there would be a black American idol. Ultimately, there was one, but what difference did it make?
You don’t think having a black president made a difference?
I got into a lot of trouble when he was inaugurated, because I asked broader questions about the American political voting system. If the Bush election was rigged and the whole process was never fixed, then in order to be true to myself, I have to assume that the shit’s never been fixed and it’s still being rigged. I certainly don’t put any real weight in it. People are easily manipulated by emotional cues. You have to be vigilant. When Bush was president, I had a lot of sympathy for the red states. Just imagine, with Fox News, the power of the propaganda those people were subjected to. It’s difficult for anybody to withstand. Fox News, Rush Limbaugh, they just continuously batter the brains of the people.
I campaigned for Obama the first go-round. It was definitely a rude awakening to realize everything wasn’t going to be perfect after he was elected—some things have even gotten worse.
Yeah, the feel-good onslaught that having a black president concludes the narrative of hundreds of years of the civil rights movement was really powerful. People wanted to believe it. They wanted to embrace it. It got to a point where there was no point in talking about any of the issues anymore because everything boiled down to being for Obama or against him. My general belief is that it’s by design. Our belief that everything is OK now works in favor of the people who actually have power. Even the question of whether his presidency is any good, I hate to say it, but it doesn’t matter. I look at the president like a landlord. He’s got some power. But does he own the building? No.
But is he any good?
[Laughs] I don’t want to go on record bashing the president. It’s not about that. When I was young, I prided myself in being informed and following the news and current events. Nowadays, the more you do that, the dumber you get. I couldn’t follow the race this year. None of it was serious—not the news, the campaigns, or the candidates. I had to turn it off.
But you love politics?
I’ve done political satire for so long that I have said everything I’ve wanted to say. I have nothing left to contribute. That’s what makes Ruckus interesting. He’s relevant to the times. For the most part, I’m trying to figure out how to become the best at telling stories. But politics do not interest me anymore. I did it when I was interested in it. I did it probably as much as anyone should do it. But I quickly saw where the public discourse was going. It doesn’t feel like anything I want to be a part of.  When Herman Cain was the frontrunner of the Republican party, I was looking at him like, That’s Uncle Ruckus. This must be a joke. Now, I guess I’m the crazy one because I can’t take Uncle Ruckus seriously. But I refuse to humor any political party that involves Uncle Ruckus. I just checked out of the whole thing. I won’t watch Uncle Ruckus run for president.
Support the The Uncle Ruckus Movie by donating to their Kickstarter, here.

Tuesday, February 26, 2013

Senator Marco Rubio: Lil Wayne Ain't No Tupac

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It took him 2 weeks, but Senator Marco Rubio finally delivered a smooth, eloquent GOP response -- to Lil Wayne calling himself the new Tupac.

Sen. Rubio -- a self-professed hip-hop superfan -- was at Reagan National Airport when he shot down Weezy recently making the bold claim ... "I ain't 2Pac, I'm the new 'Pac."

Totally off the cuff, Sen. Rubio told us, "Tupac lived in a different time. These guys have some message in what they're saying, but I think they're largely entertainers."

He added, "I think Tupac was more someone who was trying to inform us about what was going on, and he did it through entertainment."

The Senator also talked Wu-Tang Clan and Dave Chappelle ... it's pretty cool ... for a politician.

Oh, and he said it all without a single sip of water.

FUN FACT: Rubio's fave rap songs of all-time are NWA's "Straight Outta Compton" ... Eminem's "Lose Yourself," and 'Pac's "Killuminati."

Monday, February 25, 2013

Weekly Movie Review: Snitch




-Dame Bralic Matthews 


Our number one action hero, Dwayne "The Rock" Johnson is back starring as well as producing his latest feature film titled Snitch. Snitch is about a middle class blue collar trucking company owner named John Matthews who goes undercover for the DEA in order to free his son from wrongly accused drug charges. The story has a grip of standout supporting cast members, including the villain we all love to hate, Michael Kenneth Williams (The Wire) who played the local sinister, street drug lord named Malik. Not to be out done, Williams had to share the supporting cast spotlight with, in my opinion, one of Television's best industry bad guys from last year, AMC's Walking Dead; better known as Shane, Jon Bernthal. Other supporting cast members that held their own were Actresses Lela Loren, who primarily makes her living on prime time hit TV shows and Nadine Velazquez (Flight).  In addition, Doris Morgado, whose career looks to be heading in the right direction with a role in an upcoming summer film featuring Denzel Washington, and fairly newcomer Kyara Campos who plays Matthew's wife.

Bernthal's character is Daniel James, an Ex-Con who was doing fine at keeping his nose clean, working hard and making an honest living by working as a laborer at Matthew's trucking company, until he is reluctantly bribed by Matthews by the sum $20,000 to introduce him to Daniel's old drug dealing connection, Mailk. Matthews's intentions are to set Mailk up for the DEA by providing his own trucks for massive shipments of Malik's drugs. After enduring a tense scene well written by Screenwriters Justin Haythe and Ric Roman Waugh, stuntman turned director, provided a well written tense scene.  Malik feels Matthews out and agrees to use Matthew's services, but not before telling him that he wants Matthews to drive the 1000 mile trip to El Paso, Texas as a test run to pick up drugs.



Before you can fully digest the "Oh Snap" factor that just kicked in, Malik pulls the "whammy" on his own boy Daniel by saying "...and you going to go with him." Daniel hesitates for a second contemplating about the implications of drug trafficking he could face. Malik, who has no empathy for Daniel's concerns, tells him that they both have two prison strikes against them, so if one goes down then they all will go down. Malik then nonchalantly gives Daniel an ultimatum which is basically, make this run like I say or he will put a bullet into Matthews "then we can pretend this conversation never happened." Not wanting that blood on his hands, Daniel makes the trek with Matthews out of state.

When the truck rolled out for El Paso, they must have taken most of all the good parts of the movie with them, because they surely did not leave it for the audience to enjoy! For a movie being directed by a former stuntman as well as featuring today's biggest action hero, the first real action scene of the movie was pretty stunt less and action "Hero-less". Granted Dwayne Johnson was not being "The Rock" in this film, but he could have met us eager fans half way!  As the movie rolled on, he never wore anything less then a long sleeve shirt that down played his brawn. Ok "I get it!" This is not SUPPOSED to be the The Rock that we all know.  However, standing at 6 foot 4 and weighing in at about 265 pounds, it's hard to hide that size, no matter what angle the film's cameras are shooting him from; this subconsciously sets up the audience for something that they are not going to receive, which is an action movie. The movie's trailer sets the film up for action; fancy editing, I guess, but ironically that is the same thing that killed the best parts of the movie. There were too many scenes that left you saying, "Wait, what does that mean?" or "What happened to her?" The film is two hours in length, which is too long to sit through without having plot, scene, and character pay offs. I really wanted this movie to be Johnson's "John Q". Instead I got….I don't know what I got really, but it wasn't what I wanted for my Sunday night movie! Snitch would have been my first pick for a movie to go and see on a weekday, or even a for sure DVD pick-up. All in all Dwayne Johnson is a forced to be reckoned with and ill be looking forward to his 2013 onslaught of summer films. 


Thursday, February 21, 2013

Uncle Luke says: It's Time Miami Stops Being Lil Wayne's Bitch

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Alex Izaguirre
Uncle Luke, the man whose booty-shaking madness made the U.S. Supreme Court stand up for free speech, gets as nasty as he wants to be for Miami New Times. This week, Luke explains why Lil Wayne is a dick.

Miamians are mad as hell at rapper Lil Wayne because he said fuck the Heat, LeBron James, Dwyane Wade, and Chris Bosh on Sunday at a nightclub party in Houston. Lil Wayne even claimed he had sex with Bosh's wife. That was way out of line. However, don't blame Weezy for talking trash.

He has no respect for the city because people in Miami's entertainment industry -- from local radio DJs to South Beach nightclub promoters to the Heat's front office -- spread their legs for him and every out-of-town celebrity who rolls through town.

Lil Wayne treats Miami like his bitch because people let him.

When Weezy claimed he was thrown out of the Heat home game versus the Lakers, the franchise tried to downplay the incident, saying they only asked him to leave and he left on his own. That was a bitch move.

The Heat should have followed the Oklahoma City Thunder's lead. Last year, Oklahoma City representatives told Lil Wayne to take a hike when he asked for courtside seats to one of the Thunder's playoff games against the San Antonio Spurs. The Miami Heat should be giving court-side seats to the city's true local hip-hop heroes, like Trick Daddy and Betty Wright.

Stars can call up the Heat and get a free front-row seat or have nightclubs give them free tables and bottles of liquor whenever they want. Lil Wayne gets away with it because venue promoters are desperate to get mentioned in the gossip blogs and magazines. Local record label owners and radio station programming directors are also guilty of brown-nosing these interlopers.

Up-and-coming local artists like Alyric, K Kutta, Blaze, and YD can't get their songs played on the radio because the stations are too busy playing shit from Cash Money Records. When the radio people get some balls and stop acting like groupies, they will stop playing Lil Wayne and company's music.

Hell, I want to know what Rick Ross, DJ Khaled, and all these so-called 305 rappers who hang with Lil Wayne have to say about him disrespecting our home team. They need to set Lil Wayne straight. When you disrespect Miami, you can't be allowed into any arena, restaurant, club, or even McDonald's to get a burger. And you better not show your face in the hood.

None of this bullshit would have happened under my watch. In 1992, when I had a beef with Snoop Dogg and Dr. Dre, they had to cancel a concert in Miami. For years, they couldn't set foot in the 305 because it was so hot. Suge Knight had to come down and smoke a peace pipe with me.

We also kept it real at the old Miami Arena, where I had season tickets from the first tip-off on July 13, 1988. I sat in the fourth row behind the basket near former Miami City Manager Joe Arriola. For a game against the New York Knicks, filmmaker Spike Lee was sitting in front of me. It was right after he trashed me on The Arsenio Hall Show.

Joe and I cussed him out during the entire first quarter. Arriola ended up getting thrown out, but Spike didn't come back for the second half.

I'm gonna have to come out of retirement because Miami's entertainment industry has gone soft. I've got no problem telling Lil Wayne where he can go.

Follow Luke on Twitter: @unclelukereal1.

Lil Wayne Clarifies NBA Controversy After Allegedly Being "Banned"


                             Lil Wayne Clarifies NBA Controversy After Allegedly Being "Banned"
Lil Wayne explains his issue with the NBA and how it was resolved.
While Lil Wayne has been involved in feuds with other emcees, his most recent beef has been with the NBA and the Miami Heat. The feud stems from a game between the Los Angeles Lakers and the Miami Heat. At the game, Wayne exchanged words with Heat player Dwyane Wade. Weezy then left the arena and said he was kicked out. During NBA's All-Star weekend, Wayne shouted to a crowd of fans about how he was "banned" by the NBA. He also had negative things to say about the Heat and several players.
"I don’t apologize for that night," Wayne explained to 99 Jamz in Miami. "I don’t apologize for being who I am. That’s who I am, this is who I am, and yes I did say those things. Only thing I do want to take back from saying that night is I said, ‘F LeBron.’ I didn’t mean to say that because me and LeBron we are cool and I’m really cool with his mom and we have a real good relationship, and that’s my homie but it just slipped out. I didn’t mean to say that. Other than that though, I don’t take nothing back.”
He went on to explain why he felt he was banned by the NBA, an allegation that has since been cleared up.
"[Indiana Pacers forward] Gerald Green wanted to involve me in one of his dunks [for NBA's dunk contest]. I think he wanted to jump over me while I was skating. Anyway, everything was cool to do it and then after that happened [in Miami], they called him and told him, 'We'd rather you not have Lil Wayne be involved in your dunk. We'd rather it be someone else.' Homie gave me the word about that."  
That wasn't it. According to Wayne, the problem continued when he was pulled from a performance.
"I was also supposed to perform with Alicia [Keys] at halftime of the All-Star game. I was pulled from that as well. Then I tried to get tickets just to attend the event and I was told I couldn't have any tickets."
However, Weezy went on to note that he has finally received clarification as to why the NBA preferred not to have him participate in the All-Star game celebrations.
"David Stern said he heard about what happened in Miami and that he knows I'm a passionate fan," he explained. "Basically saying, 'We want to protect the players from you.' Something like that."
Lil Wayne is a known sports fan. His love of sports has even allowed him to start his own sports program and appear on ESPN several times.

Amber Rose, Wiz Khalifa welcome baby boy Sebastian Taylor Thomaz

The rapper tweeted Thursday that his model fiancée gave birth to their first child together.


 Wiz Khalifa has had the nickname planned for his son for some time.

Jordan Strauss/Jordan Strauss/Invision/AP

Wiz Khalifa has had the nickname 'The Bash' planned for his son for some time.

Take Our Poll
Do you like the baby's rapper nickname, 'The Bash'?
It’s a boy!
Amber Rose, 29, and Wiz Khalifa, 25, welcomed their first child, Sebastian Taylor Thomaz, on Thursday.
Khalifa proudly tweeted the announcement, “Happy Birthday Sebastian ‘The Bash’ Taylor Thomaz!”
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mistercap via Instagram

Rapper Wiz Khalifa and Amber Rose welcomed their first son, Sebastian “The Bash” Taylor Thomaz, on Thursday.

Throughout the pregnancy, the couple tweeted photos of Rose’s blossoming belly and shared their intimate moments on the road to parenthood.
“Today was the first day of my home birthing classes,” the first-time mom tweeted in January. “No meds, no hospital, just the privacy of my own home. I’m so excited for this experience!”
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mistercap via Instagram

Coming soon...

The “Young, Wild & Free” rapper was right by her side as only a supportive new father should be.
“We’re gonna have a midwife and a doula at the crib and she’s gonna be in a pool and it’s gonna be like a relaxing environment,” the rapper told radio personality Big Boy.
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DANNY MOLOSHOK/REUTERS

Wiz Khalifa tweeted the arrival of his son with Amber Rose, Thursday.

He expressed that he’d be so hands-on that “when she’s ready she’s gonna tell me to stick my hands down there and I’m gonna pull the baby out.”
Now that’s daddy duty at its best.

The happy parents were well prepared, not only with the idea of how Rose would deliver, but also with names and rapper nicknames picked out well in advance.
“It’s funny because I came up with the name for our boy and immediately he came up with a rapper [nickname] for him,” the model said.
The gushing parents are exhilarated that “The Bash” has finally arrived with Khalifa tweeting “everyone welcome this perfect young man into the world.”

‘Basketball Wives: LA’ star Draya Michele steps out in a barely-there outfit to celebrate her birthday

 

The reality show celeb seems to have forgotten her pants as she parties in West Hollywood for her 28th birthday celebration.

Basketball Wives LA star Draya Michele wearing sexy see-thru leggings as she and her crew of 'Fine Ass Girls' arrive at Greystone Manor. January 27, 2013.  X17online.com

Twist/X17online.com

Are those pants? Draya Michele seems to think so as she stunned guests at her birthday celebration in West Hollywood.

Did “Basketball Wives: LA” star Draya Michele forget to put on pants?
Chris Brown’s former girlfriend has been celebrating her 28th birthday for a whole week and provided a present for onlookers when she made a stop at the West Hollywood hotspot Greystone Manor on Sunday night wearing a thong under a pair of barely-there pants that looked more like black sheer stockings. For modesty's sake, she added leg warmers.
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Twist/X17online.com

'Basketball Wives: LA' star Draya Michele enters her birthday celebration with a sexy entourage.

“Thanks to great folks at Greystone Manor for making my birthday very special!!” the birthday girl tweeted.
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Steve Mack/Getty Images

Draya Michele is known for steering up drama on 'Basketball Wives: LA.'

In true Draya Michele fashion, the showstopper set the party off with her entourage of sexy ladies wearing digs from her apparel line “Fine Ass Girls” at the party sponsored by Hennessy V.S.

Wednesday, February 20, 2013

50 Cent Had TLC’s Starter Wives Confidential Canceled



Is 50 Cent responsible for getting TLC’s new reality show “Starter Wives Confidential” canceled?
That’s what the rapper claimed in a series of tweets on Monday, writing, “I want to apologize to cast of Starter Wives for having the show pulled off the net work.i sincerely hope you find work.”
50 Cent went on to brag, “The show was trash, angry ex girls that have a sense of entitlement that cant be met. Come on, I didn’t like it so its off.”
The rapper’s baby mama Shaniqua Tompkins was one of seven original cast members on the series, which follows the lives of the ex-girlfriends and ex-wives of celebrities such as DMX and Lamar Odom.
Tompkins bowed out of the project before the show aired, allegedly at the rapper’s demands.
But was 50 Cent also responsible for having the series itself axed?
NO.
Gossip Cop checked in with a production insider, who tells us the rapper’s claims are not at all accurate.
Our source says, “50 cent had nothing to do with the decision” to cancel the show, adding that the choice was solely a “network decision.”
A TLC spokesperson tells us, “The remaining episodes of ‘Starter Wives Confidential’ will play out on TLC.com.”

Tuesday, February 19, 2013

Mixtape Alert : Dunk Kontest is here and steady rising in the ranks


Once in a blue moon there comes an artist like Jeez. Not only is he an exceptional talent but he is also an industry accomplished ghost writer. Early 2013 marks the release of his debut project "Dunk Kontest" with features from Kurupt, Short Dawg, Uncle Chucc, Big Rube, and others. With production from G Sound Productions, 1500 or Nothin', and Beats Per Minute Productions, this is sure to be a project for the ages. Concentrating on HIS story, he gives his own perception of the world in his lyrics, treating each sixteen as an opportunity for self expression. Following his career includes his journey as an intern at So So Def, becoming the Power 106 LA Freestyle Champ, and going on Chris Brown's UCP Tour as a ghostwriter. With that said I now introduce you to Jeez...  

DOWNLOAD YOUR FREE COPY NOW

Young Jeezy Honored By Congresswoman Sheila Jackson Lee


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Atlanta, Georgia rap Star Young Jeezy took a break from NBA All-Star Weekend festivities, to be honored by Congress.
Congresswoman Sheila Jackson Lee of the 18th Congressional District of Texas, honored Young Jeezy for his contributions and hard work to better the city of Houston.
“The greatest good you can do for another is not just to share your riches but to reveal to them their own,” the certificate reads.
Check out some pictures from the event below:
Photos by: Thaddaeus McAdams / ExclusiveAccess.Net

Chicago Teen Shot Hours After Obama Visits Chicago High School


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 President Barack Obama’s speech to the Chicago youth at Hyde Park Career Academy was followed by the death of the sister of one of the students present. Destini Warren’s sister Janay MacFarlane was fatally shot around 11:30 P.M. on February 15th on the 1300 block of Jackson Avenue in the northern suburban while visiting family and friends.

At the time of her killing, reports state MacFarlane was walking with friends, whom one is suspected at being the original target for the bullet that killed Janay MacFarlane. On February 17th, reported that an 18 year old and 20 year old man were “considered persons of interests”
MacFarlane’s distraught mother, Angela Blakely says the 18 year old was on the path to graduating high school this spring and was going to pursue future studies in culinary arts. Blakely also says the teenage homicide victim frequently asked her about the recent homicide of 15 year old Haidya Pendleton prior to her own untimely death:
“It’s terrible, it’s terrible the only thing I can remember is my daughter telling me, ‘Mommy, it’s so sad about Hadiya. That makes no sense,’ “
Pendleton, who was killed by stray gunfire days after performing at President Obama’s second inauguration, was a major reason for President Obama’s visit to Hyde Park Career Academy. During his speech, the President spoke on the horrendous state of violence in his hometown:
“Last year, there were 443 murders with a firearm in this city, and 65 of them were 18 and under. That’s the equivalent of a Newtown every four months.”
On Thursday (Feb. 21st), Janay’s family will hold visitation from 4 to 9 p.m. at Gatling’s Chapel. Her funeral has been scheduled for noon Friday(Feb. 22nd) at the Greater Tabernacle Missionary Baptist Church. Her body will be buried at Mount Hope Cemetery.
North Chicago official claim Janay MacFralane’s death was only the second homicide for the northern suburb in the over 13 months.

MIXTAPE DOWNLOAD: Realm Reality: In The Grind We Trust


Realm Reality 
 
Actor turned rapper, Rick Gonzalez, readies 2013 music project as rapper Realm Reality. This project can see features from Joel Ortiz, Prodigy, Blu, Roc Marciano, Skyzoo and others on new ‘In The Grind We Trust’ Free Album!
Tracklist
  • 1.Grindmode Infamous feat. Prodigy (Produced by Breakworks)
  • 2.Piraguas (Produced by Breakworks)
  • 3.Not On The Outside (Produced by Dan Freeman)
  • 4.I Just Want To Be There feat. Blu & Fred The Godson (Prod. by Nottz)
  • 5.Forever NYC feat. Boogz Boogetz (Produced by @HeiroWayneMuzik)
  • 6.The Grey (Goonberg) feat. Joell Ortiz (Produced by G ROCKA & MEDI)
  • 7.Street Shit (Produced by @Alistfame)
  • 8.Goodbye Summer (Produced by The Olympicks)
  • 9.Cayman Island Getaway feat. The Kid Daytona (Produced by G ROCKA)
  • 10.Lights Down Low feat. CP (Produced by Brall Beats)
  • 11.Wavy (Produced by Dan Freeman)
  • 12.On That Grind feat. Boogz Boogetz (Produced by Dan Freeman)
  • 13.Immoral Ventilation feat. Roc Marciano, AG Da Coroner & Termanology (Produced by BreakWorks)
  • 14.Can’t Fuck With Me ft. Skyzoo (Produced by G ROCKA & MEDI)

Meek Mill Talks Possibility Of Rick Ross & 50 Cent Ending Beef


                              Meek Mill Talks Possibility Of Rick Ross & 50 Cent Ending Beef
Meek Mill says that "if I could, I would" put an end to the beef between 50 Cent and Rick Ross.
50 Cent and Rick Ross have had a storied beef that's gone on for years, most recently flaring up at the 2012 BET Hip-Hop Awards after Fif's crew had an altercation with Maybach Music Group's Gunplay.
During an interview with Shade 45's "Sway in the Morning," Meek Mill said that he would put an end to the problems between Fif and his MMG boss, stating that he's known the G-Unit general longer than he has Ross and that he doesn't want to end up in the middle of their issues.
"What they got goin' on, they grown men. It's been going on for a long time. If I could, I would," he said. "I knew 50 before I ever even signed with Ross. When I signed with Ross, I couldn't just act like I don't like 50 at all. That would be fake of me. If I could, I would. I don't like seeing nobody I know go through anything. I don't want to be in the middle one day and gotta choose sides or anything like that."
The Philadelphia, Pennsylvania rapper said that if Ross and 50 encountered each other in person and he was present, he would try to mend fences between them. "I had plans on doing that. If I ever see them around each other, if I'm around, there ain't gonna be no fighting or nothing like that," he said.
Most recently, 50 Cent reportedly wore Gunplay's MMG chain in the video for "Major Distribution." When HipHopDX asked Gunplay for his thoughts on the clip, he replied, "No comment."

Supreme Court Rejects C-Murder's Appeal Of Murder Conviction


                           Supreme Court Rejects C-Murder's Appeal Of Murder Conviction
C-Murder will remain in prison to serve out his life sentence.
The Supreme Court  has denied C-Murder's appeal of a murder conviction, a last-ditch effort to spring the rapper from prison.
US News reports that the court rejected the appeal, which stemmed from C-Murder killing a 16-year-old fan in Louisiana.
C-Murder's attorneys argued that because federal juries must reach unanimous verdicts in criminal cases C-Murder should not have been convicted. A jury voted 10-2 to convict the rapper.
However, Louisiana is one of two states that allow for non-unanimous convictions.
C-Murder was sentenced to life in prison in 2009 for shooting and killing Steve Thomas at a nightclub in 2002. Lawyers for C-Murder, who is Master P's brother, filed an appeal in Louisiana in 2011. The conviction and life sentence were upheld in the Louisiana appeals court months later. He later filed to the Supreme Court, which delayed a ruling on the case in 2012.

NBA Spokesperson Refutes Claim That Lil Wayne Is Banned



                            NBA Spokesperson Refutes Claim That Lil Wayne Is Banned
A spokesperson from the NBA says that Lil Wayne's claim that he is banned from league events is false.
It appears that Lil Wayne may have exaggerated reports that he has been barred from attending live NBA events.
In a recent report from TMZ, Mark Broussard, the Senior Director of Basketball Communications for the NBA, said that there is "no truth at all" to the New Orleans rapper's claims that he has been banned from attending any further NBA games. Broussard even went on to say that the rapper voluntarily left the Miami Heat game from which he was allegedly ejected.
Last week, Lil Wayne made headlines when he claimed that the Miami Heat basketball organization forcibly ejected him from a game for rooting for the Los Angeles Lakers. Wayne took his feud further at a concert this past weekend in Houston, claiming that he had an affair with the wife of Heat power-forward/center Chris Bosh.
This isn't the first time Lil Wayne has sparked a beef with the National Basketball Association. Last year, he said he was barred entry to an Oklahoma City Thunder play-off game, a claim the team organization later denied.
DX will keep you updated as more information comes to light.

Tupac's Videographer Says Suge Knight Wasn't Shot As Claimed, Details "7 Dayz" Documentary


                               Tupac's Videographer Says Suge Knight Wasn't Shot As Claimed, Details "7 Dayz" Documentary

Exclusive: Gobi M. Rahimi reveals some startling information surrounding the final days of Tupac's life, including Suge's imaginary bullet wound and Las Vegas Police's stunning indifference.
One of the few witnesses to Tupac Shakur’s struggle to survive for several days following the drive-by shooting that would eventually claim the now iconic actor/rapper’s life at the young age of 25 is contradicting a long-maintained claim by the former head of Death Row Records, Marion “Suge” Knight, that the then Row CEO was also struck by a bullet in that attack, which is somehow still lodged in his head.
In the trailer to 7 Dayz, the forthcoming documentary from onetime Tupac videographer, Gobi M. Rahimi, the man ‘Pac agreed to let film what would be the final months of his life recalls in the immediate aftermath of that September 7, 1996 shooting, says he witnessed a nurse at University Medical Center in Las Vegas, Nevada inform Suge Knight’s mother that her son “is fine,” as he was just cut by either flying glass or a piece of shrapnel and would require only stitches for his injuries.
“A little quick ultrasound would show whether he’s got a bullet or not in his skull,” Gobi told HipHopDX on Monday (February 11th) in response to Knight’s more dubious recollection of that event. “I just remember what I heard. So, unless they went in afterwards and they found a bullet … I’m just repeating what I heard her say.”
Some have theorized that Knight lied in interviews following the shooting regarding the extent of the injuries he sustained during the attack on Tupac to cover up his involvement in the murder of Death Row’s then marquee artist.





Speaking to HipHopDX via phone while spending time with family in the South of France, the director of some of Tupac’s final music videos (“2 Of Amerikaz Most Wanted,” “Made Niggaz”) documented in detail the trauma-filled nights he spent alongside Gobi’s then girlfriend/production partner Tracy Robinson, ‘Pac’s aunt and assistant Yaasmyn Fula, mother Afeni Shakur, longtime friend Molly Monjauze and proteges The Outlawz as the small but dedicated collective held vigil over the mortally wounded star in the waiting room of UMC’s emergency room.
“I was there for six of the seven nights, from 12 to 8 in the morning,” recalled Gobi. “Me and Noble [of the Outlawz] did the graveyard shift pretty much every night.”
Tupac’s videographer and one of his teenage pupils found themselves in the ill-equipped position of having to help guard, unarmed, their beloved leader due to death threats coming in to Death Row Records warning that the perpetrators of the shooting were planning to come to the hospital to “finish him off,” combined with the apparent ineptitude on the part of Death Row’s security arm, WrightWay.
“Frank Alexander... Couldn’t find him for a few days,” revealed Gobi. “Getting Kevin Hackie out there was difficult. He got stopped by Vegas P.D."
“After the first day they had a guy sitting outside [Tupac’s] door,” he added. “But, you know, being from [Suge’s] team – I guess he didn’t trust anyone. So, Yaasmyn Fula, Black Panther, the way she kinda was in the whole situation is that she wanted to make sure he was secure with people she trusted. And I think on the fifth or sixth night, the Fruit of Islam finally showed up and that’s kind of when I left. It was a day and a dollar too late. But, thankfully they got there. And it was almost like they were people she trusted. So, it seemed like it was finally secure, after five or six days of not knowing who we could trust.”
The paramilitary arm of the Nation of Islam previously provided security to Tupac in 1994 following his shooting at the Quad Recording Studios in New York City.
Prior to the F.O.I.’s arrival, Gobi personally phoned the Las Vegas Metro Police Department to attend to the threats still being made on Tupac as he lie unconscious in the hospital, but was met with surprising indifference towards protecting the life of one of the most popular recording artists in the world.
“I think the third or fourth night is when the marketing guy [from Death Row] came up to me and was like, ‘They just called, the guys who shot him, they’re loading their guns, they’re gonna come and finish him off,’” recounted Gobi. “And I called Vegas P.D. I’m like, ‘Yo, they’re about to come take him out.’ And they were like, ‘Well, sir, there’s a foot patrolman in the hospital, if something should go down you can just get a hold of him.’”
The only hospital security seen by the man Tupac fondly dubbed “The Crazy Iranian” was one older Caucasian gentleman stationed in the corner of the ER waiting room.
“And when he heard me get off of that call,” remembered Gobi, “he was like, ‘I gotta tell you, that’s crazy. Last year, there was a rodeo star that broke his leg and they gave him four Winnebago’s for his family and he had like five or six policemen around the clock to guard him.’”
Luckily for the defenseless Gobi, the threats made against Tupac while he lay fighting for his life were never actually acted on. Unfortunately, the bullet lodged in ‘Pac’s right chest cavity was tragically taking care of the rapper for his then unidentified attackers, causing him to hemorrhage blood and forcing doctors to put him into a medically induced coma to take pressure off of his ravaged body.
Unlike onetime Tupac love interest and fellow artist Yo-Yo, who has previously claimed that she witnessed ‘Pac regain consciousness at one point after being stabilized by life support machines, Gobi revealed to DX that he never personally saw Tupac open his eyes.
“I only saw him on the fifth night, ‘cause I, for whatever reason, didn’t go in to see him,” he explained. “And then the nurse finally on the fifth night she was like, ‘Listen, you’ve been here all these nights, do you wanna go see him?’ And, he was out. He was cold. He was out.”
Gobi also did not personally see the valiant struggle Tupac waged against his own body to survive.
“I never witnessed it; the nurse came out and told me,” he explained. “She came out and she was like, ‘That ‘Pac of yours is a fighter, man. We almost lost him. We just got him back. I just gave him 500 cc’s of adrenaline.’”
“I personally didn’t think he would make it after hearing that he’d been shot,” continued Gobi, “only because twice through the same thing just seemed incomprehensible to me, for anyone to survive that. But, having said that, after three, four, five, six days, I was like, ‘Wow, maybe he is gonna survive.’ So I was shocked when I found out he passed.”

Gobi Recalls Tupac Having A Hard Time Getting Money From Death Row

Gobi initially arrived in Las Vegas to celebrate Tracy Robinson’s September 7th birthday with Tupac, their partner in the then newly formed 24-7 Productions, and was waiting for ‘Pac to arrive for a post-fight performance at Suge Knight’s club, 662, when he got news of the shooting.
But while no footage was filmed by Gobi of Tupac while he was in Vegas, the current head of Static Free Films is in possession of plenty of film, photos and memories of the months leading up to ‘Pac’s passing, including recollections of the long-rumored battles the star waged with his notorious recording home.
“It seemed like [Tupac] always had a tough time getting his money,” recalled Gobi, “on a weekly basis. So, whether it was him or Yaasmyn Fula making the calls, there always seemed to be a struggle getting the loot. … A few times I heard Yaasmyn, a few times I heard him, just asking for his money.”
“They weren’t happy,” replied Gobi when asked if the calls he overheard were confrontational. “I think once even one of his Gridlock’d checks got sent to [the label], or Death Row was asking for his acting checks to be sent to [them]. So he was a little [upset] about that as well.”
Battles between Death Row and Tupac over ‘Pac’s acting proceeds were likely taking place due to the fact that the star of stage and screen’s income from films was far exceeding any amount of money he had received from his recording home. According to Gobi, 24-7 Productions was working to secure a three-picture deal for the budding actor a week before ‘Pac passed.
“Paramount and New Line at that point were both interested in doing a deal with him,” revealed Gobi. “And he had specific films that he wanted to do.”
One of the co-stars of the classic hood-film Menace II Society, MC Eiht, recently revealed to HipHopDX that New Line Cinema only green-lit the directorial debut of the Hughes brothers with the guarantee that the star of Juice and Poetic Justice would appear in their movie. According to Gobi, the studio that distributed Menace II Society still eagerly sought to work with Tupac even after he was, according to Eiht, essentially setup to fail by the Hughes brothers at portraying a gangbanger-turned-Muslim and subsequently fired from the film.
“He was bondable after Gridlock’d, so it was like everyone was coming after him,” revealed Gobi of the reasoning for the studios’ renewed interest in the often troublesome talent. “‘Pac was supposed to be in Higher Learning as well, but I think he had an issue with [John] Singleton at one point and he got dropped from that. But, ‘Pac was one of the hottest commodities at that point. There wasn’t anyone else that could fill those shoes.”

Gobi Explains Current Standing With Tupac's Estate

Around the time Tupac was ascending into the actor stratosphere, he was also expanding his musical ambitions by attempting to repair his fractured relationship with East Coast Hip Hop fans by working with an all-star assemblage of New York emcees for an audacious project he billed simply One Nation. And following him every step of the way in that reconciliatory process, cameras in tow, was Gobi.
And with so much valuable footage from the final months in the life of one of the most revered rappers of all time, thankfully for Gobi he doesn’t anticipate any encroachment on his intellectual property by the gatekeepers of Tupac’s legacy.
“Thus far I’ve had a decent relationship with the family and the estate, and hopefully it will remain that way,” he carefully replied when asked about any cease-and-desist concerns he might have.
As for funding concerns, Gobi assured DX that he will utilize private financing to see to it that the documentary is still released if the current Kickstarter campaign for the film doesn’t meet its financing goal. He encourages Tupac supporters to still check out the campaign that is offering exclusive goodies, including never-before-released photos and video clips, in exchange for contributions to the film.
One of the initial respondents to Gobi’s Kickstarter post was none other than the legendary Chuck D. One of Tupac’s personal Hip Hop heroes has since agreed to narrate the documentary. Recently, the Public Enemy front-man took to Twitter to discuss the praise-filled letter sent to him by Tupac (but unfortunately failing to reach Chuck at the time) while the Westside rider was incarcerated in Dannemora, New York on sexual abuse charges.
The most powerful baritone to ever breathe into a microphone will be heard guiding viewers through the “living documentary” Gobi initially set out to make on Tupac way back in 1996.
“I guess I wasn’t ready to delve into the world of ‘Pac,” replied Gobi when asked about the long delay of the doc. “It’s a sensitive area. And, I guess I just wanted to wait until the right time, and it just seemed like now is the right time to tell that story.
“I think it’s the one area that has not been covered adequately on a human level,” he added about Tupac’s final months, “not a sensationalist level. I wanna share more about who he really was above and beyond the artist, and hopefully show aspects of him that have not been exposed completely or enough in other docs. I just think there was a lot more to him …. I think there are enough stories that have not been told that could conceivably be told in this doc. And I think it’s worth a shot.”
But following in the footsteps of Frank Alexander by releasing a book (Gobi’s 2005 ‘Pac photo journal, Thru My Eyes) and now a film will undoubtedly raise the eyebrows of those who might view the motives of another Tupac associate as less than genuine.
“My intentions as far as I’m concerned are honorable with this,” Gobi declared to any detractors. “I just wanna, again, try to share some stories that have not been shared.”
“People say feeding off of the dead,” he added in response to the “vulture” label that has been assigned to many of the ‘Pac profiteers of recent years. “They say history is written by great people’s contemporaries. I just happened to be there. And, if I can share stuff with you and with fans, or have other people share stuff who [actually knew Tupac], then we have a hand in adding to the legacy. Why is that a bad thing? He would have wanted that. He absolutely would have wanted that. He left me with a treasure chest of stuff and I guarantee you he would be mad at me if I didn’t tell whatever stories that I had. That’s what I was battling with for so long [that delayed this.] I don’t think he would be mad at it, so I don’t see why anyone else would be mad.”
7 Dayz is tentatively slated for release on what would have been Tupac’s 42nd birthday, June 16, 2013.

Saturday, February 16, 2013

250 the Great & Dj Fiyaa Center Stage Pt 2 Mixtape Listening Party @ Gasolina in the Bronx

 Friday Feb 15th The 250 the Great and Dj Fiyaa hosted the Listening Party for the release of their new mixtape, Center Stage Part 2 at Gasonlina in Bronx, NY. The party was a success the club was packed from wall to wall. 250 & Fiyaa have been doing mixtapes repping the Bronx for years and with the release of another classic project they are showing that the birthplace of Hip Hop still has alot of jewels in it. 




picture by G Sound Images