G Sound Musik Video Of The Week

On the G! Mixtape Of The Month

On The G Archive

Saturday, March 17, 2012

Spies Like Us: The Secret Relationship Between Rats and Rappers


eye_spy_flyer-p244136494341301445zvfzl_400
“Can’t win a debate so they sponsor every threat to me/ I wonder if Agent 800 is standing next to me” – “Young Lords”, Immortal Technique
During a recent panel discussion, Hip-Hop artist, Knowledge the Revelator, was just about to expose the diabolical plot of how they are using rap music to dumb down the masses. Suddenly, Alfred Jenkins, aka “King Alfred” pimp, slapped the person sitting next to him, which started a brawl that abruptly ended the conference. While fists and chairs were flying, Jenkins quietly exited through a side door where he was met by a man in a black suit and sunglasses, who handed him an envelope addressed to “Agent Rex 84…”
Last month, the Associated Press reported that Muslim students at “a dozen campuses in the Northeast” were being spied on by the NYPD. Coincidentally, around the same time, the NY Confidential website released a report that alleged that a 2008 meeting of Rev. Al Sharpton’s National Action Network was also infiltrated by the NYPD following the trial of the police officers who killed Sean Bell.
Although it came as a shock for some, the “Alphabet boys” (as Young Jeezy would say) have long sent snitches into organizations - both criminal and political.
One of the earliest rats to infiltrate a Black organization was James Wormley Jones (Agent 800), who spied on Marcus Garvey and the UNIA during the 1920s. According to a February 11, 2011, article posted on the FBI website, “A Byte Out of History,” other agents assigned to the UNIA included, Earl Titus, Authur Lowell Brent, and Thomas Leon Jefferson. Also, according to the PBS documentary, “Marcus Garvey: Look for Me in the Whirlwind,” one of Garvey’s closest associates, Herbert Bowlin, “owner of a Harlem based Black doll company,” was an informant known as “Agent P-138″
Later, Civil Rights organizations came under scrutiny by the Feds.
More than a decade ago, researcher Steve Cokely, shed light on a March 21, 1993, “Memphis Commercial Appeal” article that accused the NAACP’s former board chairman, Joel Spingarn, of being a major in the Military Intelligence Division who, “used his post to obtain critical information for MID, such as a list of the organization’s 32,000 members. “
The same newspaper also reported in a September 12, 2010, article that noted Civil Rights photographer, Ernest Withers, was not only an FBI informant, but took the pictures at the scene of the Martin Luther King assassination.
It is more widely known that the Black Panthers and other “militant” movements of the late ’60s-early ’70s were heavily infiltrated by informants such as William O’Neal, who supplied intel to the Feds that led to the murder of Fred Hampton “and BOSS (Bureau of Special Services) agent, Eugene Roberts, who, not only was spying on Malcolm X when he was assassinated but, according to John Potash in his book, The FBI War on Tupac Shakur and Black Leaders, was later an original member of the New York Chapter of the Black Panther Party of which Tupac’s stepfather and mother were also members.
Although, Tupac Shakur inherited the legacy of government persecution from Mutula and Afeni Shakur, he was just one in a long line of rappers from NWA to the Wu-Tang Clan under investigation by the Feds. Back in 2000, Cedric Muhammad of Blackelectorate.com began releasing a series of “Rap COINTELPRO” articles exposing this fact.
So why would federal and local law enforcement agencies still be interested in a music that has become increasingly apolitical since the early ’90s?
According to Supreme Understanding, author of How to Hustle and Win, “Hip Hop is just a euphemism for the Black and Brown underclass.” The author who also released the widely circulated guideline, “How to Spot an Agent,” also said, “Hip Hop is not as apolitical as people think. Many mainstream artists have a political element.”
Perhaps the most detailed evidence of law enforcement’s attack on Hip-Hop is the first hand report of the the NYPD’s “first Hip-Hop cop,” Derrick Parker. The book mentions the infamous “Hip-Hop binder” that the Miami police used to keep files on Hip-Hop artists, as well as other surveillance activities against New York rappers.
What is not often mentioned is that, although Parker was primarily assigned to watch rappers, he also tailed the late Black nationalist, Dr. Khalid Abdul Muhammad, whose voice was sampled on early Public Enemy, Ice Cube, and Tupac Shakur songs. This is proof that you don’t have to be a criminal nor a Hip-Hop superstar to be under the watchful eyes of the “Alphabet Boys.”
Just as the FBI used the techniques that it developed fighting the mob during the ’30s on activists during the Civil Rights Era, they have used the same techniques that they use to go after drug dealers on Hip-Hop artists of today.
This has raised a lot of questions that always go unanswered.
Since, according to John Potash, an FBI agent was present when Biggie Smalls was murdered, why didn’t he stop the bullets? Also, with so much government surveillance going on, how can the Feds catch rappers like T.I. with guns, but not see the trucks that are hauling them into the ‘hood? And, if they can catch members of street crime families trafficking drugs, how can they miss the planes and ships that are bringing them into this country?
This actually goes back to the Civil Rights era when activists asked if the FBI had so thoroughly infiltrated the Ku Klux Klan, why were civil rights workers still being murdered? The flimsy answer given then - that they were an “investigative” unit not a “preventive” unit – I suppose, still applies today.
The mistrust of law enforcement leaves the ‘hood caught in the middle between those who do dirt and hide behind the “anti-snitch” attitude of the streets, and law enforcement agencies that refuse to admit why the “stop snitchin’ ” code was created in the first place.
If we are going to stop crime in the ‘hood, we must first have an honest conversation about government surveillance and its ramifications.
But until then, as GZA said on “I Gotcha Back”:
“I gotcha back but you best to watch your front/because it’s the brothas who front/they be on a hunt.”

Roc-A-Fella Founder Kareem “Biggs” Burke Pleads Guilty: Faces Five Years In Prison


Kareem "Biggs" Burke

Roc-A-Fella Records co-founder Kareem “Biggs” Burke has pleaded guilty in Manhattan Federal Criminal Court, for his role in a massive marijuana ring.
Burke appeared in court yesterday (March 15) in Manhattan Federal Court, where he pleaded guilty to conspiring to distribute and to possess with the intent to distribute, more than 100 kg of marijuana.
Federal authorities connected Burke to a massive marijuana trafficking ring that involved over 50 people.
“With Kareem Burke’s guilty plea today, another member of this sprawling marijuana trafficking ring stands convicted,” Manhattan U.S. Attorney Preet Bharara told AllHipHop.com in a press release. “We will continue to pursue and punish those who traffic in illegal drugs.”
Burke was arrested in October of 2010, after federal authorities connected him to three separate, but interconnected marijuana trafficking cells.
The network distributed the marijuana to customers in Florida, New York and New Jersey.
According to federal authorities, most of the organization was based in Florida, but they also bought marijuana from growers in California.
When Burke was arrested, police found the remains of a marijuana growing operation, as well as $15,000 in cash.
The 38-year-old, who founded Roc-A-Fella Records with Jay-Z and Damon Dash in 1995, faces the mandatory minimum sentence of five years in prison and a maximum sentence of 40 years in prison.
In addition to the prison sentence, Burke must forfeit his $660,000 residence in New Jersey, a 2010 BMW and the $15,000 in cash that was seized.
Kareem “Biggs” Burke will be sentenced by Judge Laura Taylor Swain on May 18, at 12:00 PM.

A$AP Rocky Calls Some XXL Freshmen "Corny As Fuck"

by STEVEN J. HOROWITZ

A$AP Rocky Calls Some XXL Freshmen "Corny As Fuck"
A$AP Rocky also says he hopes to release his debut album on July 4th.
After  XXL magazine's Freshmen 2012 list dropped, readers questioned why A$AP Rocky was missing from the lineup. During an interview with Fuse, the Harlem, New York rapper said that he was on the list at first but was too busy to make the photo shoot. But things took a turn for the controversial when he addressed the final lineup, calling some of the picks "corny as fuck."
"I was on the list. I was touring and stuff. It just didn’t work out. I got love for everybody," he said. "I think a lot of the motherfuckers on the list are corny as fuck. Shout out to Danny Brown. I think a few people on there are eligible for it, and they deserve to be on that cover."
A$AP also said that he's working on an A$AP Mob mixtape due for release in May, with his album slated for July. He hopes to release his album, Long.Live.A$AP, on July 4th, with plans to include production from A$AP Ty Beats, Clams Casino, Beautiful Lou, SpaceGhostPurrp and Pharrell.


Full Stream Of 50 Cent's Shady 2.0 Performance Released, Features Eminem

by STEVEN J. HOROWITZ

Full Stream Of 50 Cent's Shady 2.0 Performance Released, Features Eminem
50 Cent is slated to perform his 2003 debut Get Rich or Die Tryin' in its entirety at the Shady 2.0 Showcase at this year's South By Southwest festival.
Additional artists on the bill include Shady Records signees Slaughterhouse and Yelawolf. Sway Calloway will also host "The Next Phase," which features performances from Big K.R.I.T., Schoolboy Q, Action Bronson, Don Trip,STS and The Foodchain.

shady
UPDATE #2: A full stream of 50 Cent's performance of Get Rich or Die Tryin' at the SXSW Shady 2.0 showcase has been released. Watch the performance in full below (via Yardie).

Cash Money Records Sued For Not Paying Royalties




Cash Money Records Sued For Not Paying Royalties
Cash Money Records is under fire for shady business dealings. Again.
Cash Money records is, once again, under fire for not paying royalties.
According to Courthouse News Service via Soul Culture, music giant EMI is suing Cash Money because the label simply ceased quarterly royalty payments they had agreed to make as part of a 2009 settlement between the parties.
Cash Money allegedly owes $491,000 in royalties for samples from EMI's catalog.
“Because Defendant has ignored numerous communications from EMI regarding Defendant’s contractual obligations, EMI once more is being forced to commence a lawsuit against Defendant to recover royalty payments,” the complaint states. “The sales of Defendant’s products have far exceeded the payments that EMI has received.”
“It is clear from Defendant’s conduct that it has no intention of honoring the Agreement,” the complaint continues
“Because Defendant has ignored numerous communications from EMI regarding Defendant’s contractual obligations, EMI once more is being forced to commence a lawsuit against Defendant to recover royalty payments,” states the complaint. “The sales of Defendant’s products have far exceeded the payments that EMI has received.”
“It is clear from Defendant’s conduct that it has no intention of honoring the Agreement.”
The turn of events is somewhat less than shocking, as the house that Slim and Birdman built has been a near-constant target for lawsuits over the past several years. Plaintiffs in previous cases have included Bangladesh, producer T-Mix, Done Deal Enterprises, producer David Kirkwood, Bridgeport Music, "Lollipop" producer Deezle, and many, many more. Also of note are high-profile controversies with Mannie Fresh and Wendy Day over money.