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Monday, November 4, 2013

E-40 Releases "Earl Stevens Selections" Wines


                                 E-40 Releases "Earl Stevens Selections" Wines
E-40 releases a collection of white and red wines as part of his Earl Stevens Selections.
E-40, whose real name is Earl Stevens, has announced the launching of Earl Stevens Selections, wine products.
Earl Stevens Selections includes white and red wines. The wines come in different flavors, including Mangoscato, Function Red Blend and Moscato. 
“I wanted to create my own wine because I’m a huge wine connoisseur," E-40 said in a press release. "I love wine and I got a name for myself so I decided to make my own." 
Bottles from the collection are produced in Northern California, an area E-40 has often represented in his music. 
E-40 is prepping the release of three additional volumes of his Block Brochure series, set to be released December 10. Volumes 4, 5 and 6 are slated to follow up on last year's volumes 1, 2 and 3.  
Images of the wines can be found below.

Fabolous Responds To Kendrick Lamar's "Control" Verse


                         Fabolous Responds To Kendrick Lamar's "Control" Verse

Fabolous says "all the kings came from Brooklyn."
Fabolous has responded to Kendrick Lamar's "Control" verse.
"Brooklyn, we in this mothafucka tonight," Fabolous says in a video that was released today (November 4).
"I'm a muthafuckin' king in my city," Fabolous says.
Then Fabolous addresses Kendrick Lamar's "Control" verse.
"The thing about Kendrick saying he king, don't ask me how I took it, nigga," Fabolous says. "The real niggas know all the kings came from Brooklyn, nigga."
On "Control," Lamar referred to himself as a king of both coasts in Rap.
"I'm Makaveli's offspring," Lamar raps on the track, likely referring to Tupac's 1996 release as Makaveli, The Don Killuminati (The 7 Day Theory). "I'm the King of New York, King of the Coast, one hand, I juggle them both."
Lamar's "King of New York" line was likely inspired by a 2010 selection, "Get Bizy," which featured Kendrick Lamar, Terrace Martin, Bad Lucc and Kurupt.
"I'm important like the pope," Kurupt raps on "Get Bizy." "I'm the King of New York. I'm live from South Central. I'm a Muslim on pork."
In August, Lamar spoke about the line during an interview with Los Angeles radio station Power 106.
“The irony of that line is that the people that actually understood it and got it was the actual kings of New York,” Kendrick Lamar says. “Me sitting down with them this past week, and them understanding that it's not about actually being the King of whatever Coast. It's about leaving a mark as great as Biggie, as great as Pac."
Fabolous' response can be viewed below via thetrophylife.net.

Sunday, November 3, 2013

Drakism: Drake and our Emotional Breakdown

drake
2013-10-01-ProcessDrake.jpg
An artist simply known as “Drake” has stormed onto the rap scene with a message on the topic line of love that had been traditionally left out of popular hip hop culture. It isn’t the typical (ultra masculine/in control) message relayed by 50 Cent in songs like “21 Questions” or Jay-Z in “Song Cry.” That being a song written around a guy who (of course) did something wrong in the relationship by his own choice. Instead from what I have heard, Drake’s message has the undertone of him being used emotionally in several past relationships. While in many songs the reason is not clear, it appears to be (not because he cheated, was somehow abusive, or for that matter did anything) it is simply because he is Drake, an ordinary guy.
The content delivered by Drake while robust in emotion, often has a somber undertone of pain experienced in past relationships. His whimsical delivery relays a new soul I see arising in black men that goes to the core of their own self-value in this new millennium. A approach that is devoid of independent self-pride, missing the link of masculinity that in my belief is key to a man’s emotional stability. The question is what will these songs leave in their wake as a new generation of little boys listen to them for guidance? Only time can tell. Drake in songs like “Best I Ever Had” with phrases like “You the Best” reverberates a message of an ego stroke that is so strong it leaves no space for improvement.
Under the coat of Drake, the self-proclaimed white knight, there is a visible chink in his armor that rivets to the core of his point. From a spite for being forgotten, to an anger for being turned away — it is all there. Yet, Drake’s message appears to be not just his own, which is why it has stricken a chord in Black American culture. A division in access to the tools that lead to economic success over the last 25 years between the genders of our race has resulted in far too many failed relationships. During this time there was a clear divide in access to the “American Dream” between the sexes. Black men faced systemically high unemployment rates, above 50 percent in some cities (according to JSOnline.com it’s now 57 percent in Milwaukee) and prison rates never seen before in modern history, while at the same time young black women saw great success in the first part of the 21st century. As an example of the new found success, according to the Chicago Tribune article “Black Women Buy More Homes
From 1997 to 2002, conventional mortgage loans to black women increased by 114 percent in metro Atlanta. That growth greatly outpaced mortgage loans to white men and white women, which increased in the region by 35 percent and 26 percent, respectively… Waiting could be fruitless in metro Atlanta, where single black women outnumber single black men by about 100,000. T.Odom further narrows her choices. She wants to date men who, like her, have a college education and a healthy income.” At this age in my life, I’m not looking to start at Level 1. I’m at Level 3, and I need a man to be at Level 3 or above,” Odom said.
My belief is the divide created an emotional chasm in many of our relationships. The result is a division in access to economic opportunity, and a change in relating habits. Recent studies show 75 percent of African American babies are born out of wedlock, the impact of which has torn a hole in our social fabric. Traditionally young women transitioned from being around girlfriends, to being with mates in their early 20s. Due to social change that transition is not only being delayed, but in some cases entirely avoided. As girls night out has become just women that go everywhere together — we have lost the drive that pushes the genders together. Like kids in a mall our young women and men have become 30-something-year-olds, that ( in terms of relationships) live like the Toys “R” Us slogan and “…don’t wanna grow up”.
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It is through Drake’s experiences of pain before becoming a rap success, that he draws much of his content. Songs like “Hurt” which states : “Aint nothing worse than the hurt we receive from love, When you get hurt by the one you living for, Pain can make you wanna love no more.” This content holds a message of women that have forgotten, left or hurt him in ways that clearly left emotional scars. But if this is Drake’s message, imagine what you find in the hood: much darker demons and deeper messages of pain. That pain resolves itself incorrectly in Drake’s songs in the form of an unresolved emotional bitterness, rather than logical acceptance and growth. “We coulda worked it out, uh, but I guess things change. It’s funny how someone else’s success brings pain When you no longer involved, that person has it all And you just stuck standing there…” Say Something Is the answer truly to cower behind emotional counter plays based on pain, or to stand stronger? Is the answer to stroke an ego with words like “best” or “most,” or stand stronger? Drakism and all that it holds takes the former options and commercializes them, possibly to a point of no return.
The “Process of Drakism,” as I call it, is one whereby men lash out in emotion, and in doing so they lose that thing which has for so long been the essence of a man. In the end it is possible that Drakism is the draconian punishment levied for a culture that has gone forward at light speed, without being honest about the possible consequences.
The larger looming question is, Have our relationships fell prey to emotions that are out of control entirely? In-between all of the the Instagram selfies and Facebook self portraits, has the development of the identity of ME and pseudo self dependence created a clash with our ability to connect with one another intimately? To understand the argument you must first start with an understanding of intimacy, not the physical cuddling or emotional coddling. The part where you are open enough to care to your core for someone else as a mate. I see an emotional gap between people in modern American relationships across race, whereby we did not just lose functional roles with the casting away of many social values over the last 30 years. We had an emotional break where (in some cases) as framed within Drake’s lyrics, men sadly now shed more tears than women when it’s decided it’s over, and more often than ever women fight far too little to get the connection back.
There has been an emotional breakdown that has cut across the fabric of our lives, that if not addressed will eat at the core values that traditionally served as the glue that connected the genders in our homes. We are of a generation that is underexposed to quality connections, and overexposed to quantity relationships, hoping the turns in life will deliver an escape in the form of an intimate perfect we have not worked toward within ourselves. It seems the flaw of our era is a loss of personal responsibility for happiness, for no one can ever truly save you from yourself other than you. So, the question begs, are we a society of serial monogamists hoping for a perfect fantasy, or are we more? In the end the process that has resulted, which Drakism describes, is not a sound resolution, the hope is at the least we realize it and can make a change and keep “Holding on Cause We’re Going Home.”

Jay Z Adds His 1st Ever Men’s Cologne To Barneys Collection Amid Controversy


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The cologne, called Gold went through 3,200 possible names and according to Donald J. Loftus, president of Parlux Ltd., the name was chosen when Jay Z grabbed the cologne and said “This is the sh*t; it’s gold.”
The fragrance will be promoted through a few outlets and intriguingly will feature a Macys window display of Jay Z transforming into a gold chain. The fragrance will be available on November 20th at Barneys NY and then released nationwide afterwards at prices between $39 and $79.
According to a lawsuit filed by Turkish immigrant Ayla Gursoy, Macy’s security guards had an arrest quota of five per week and had a “race code system” to “facilitate its targeting of Middle Eastern, African-American/black and other nonwhite shoppers.”

Hip-Hop Rumors: Check The New Members Of T.I.’s Hustle Gang!


by illseed (@illseed) 
T.I.

Looks likeT.I. is about to expand the roster of his Hustle Gang. Check out what he sent out on twitter!

This is pretty good. Definitely a different twist to the crew. I am hearing that they just have to work out some legalities and paperwork and its officially official!
“They keep us talking, but if we stop talking about them then they should worry!” -illseed.

Suge Knight Likens Jimmy Iovine To KKK


                           Suge Knight Likens Jimmy Iovine To KKK

Suge Knight also says Tupac Shakur is a much more worthy candidate than Diddy to appear on Hollywood's Walk of Fame.
Suge Knight recently spoke about Jimmy Iovine, Diddy and Tupac Shakur.
In a recent interview with TMZ, Suge Knight, co-founder of Death Row Records, intimated that Tupac deserved a star on Hollywood's Walk of Fame over Bad Boy Records founder Diddy.
"I think Tupac should have a star on there," Knight said. "I mean, shit, Puffy got a star on there. Only thing he did was dance. So I think Tupac definitely should have one for being from the West Coast."
Suge's words closely mirror his now-infamous speech at the 1995 Source Awards, where he stated, "Any artist that wants to be an artist, and stay a star, and don't want to have to worry about the executive producer trying to be all in the videos, all on the records, then come to Death Row."
Suge continued, warning those in charge of the Walk of Fame to include Tupac.
"Yeah, they better do it one way the other," Knight said. "Because, I figure, if they don't hurry up and put Tupac on the Walk of Fame, all the Tupac fans and all the homies gonna start goin' down there and start scratchin' all the other names off. They might even remove Elvis."
Tupac joined Death Row Records in 1995 upon Knight posting a $1.4 million bail to get Tupac out of prison. From that point, Pac began a successful stint on Death Row until being fatally shot in 1996 in Las Vegas, Nevada, in a vehicle driven by Knight.
The mid-'90s saw a number of contentious departures from Death Row Records, including Snoop Dogg, who recently reconciled with Knight,  and Dr. Dre.
During the interview, Knight also sent shots at Jimmy Iovine, who took Dr. Dre under his wing to form Aftermath Entertainment under Iovine's Interscope Records.
"I'ma be Jimmy Iovine [for Halloween]," Knight said. "You're not gonna actually see my face. I'm just gonna have a white sheet on my head with the eyes cut out. Like the Klan."
More from this interview can be viewed below.

Nelly Discusses Dr. Dre Studio Session, Possibly For "Detox"


                         Nelly Discusses Dr. Dre Studio Session, Possibly For "Detox"

Nelly says he and Dr. Dre came up with "certain things he may use on 'Detox.'"
St. Louis, Missouri based rapper Nelly was recently in the studio with Dr. Dre.
Recently sitting down with Vlad TV, Nelly was asked about his studio session with Dre and what project the two were working on. He hinted that they were working mostly on Dre's album.
"Just ideas he was gathering, I guess for Detox or for whatever project we were doing," Nelly said when asked if they were working on Dr. Dre's long-awaited Detox album. "We were basically vibing out."
Nelly also said the two were creating ideas together for use on each of their projects.
"We were just coming up with ideas," he said. "A lot of times you may just be in there collaborating and seeing whatever comes up. So the ideas we were doing were just random ideas and things that we were coming up with–certain things he may use on Detox, certain things he may use (otherwise). Dre works in mysterious ways."

Nelly Speaks On The Mesh Of Country Music And Hip Hop 

During the interview, Nelly also addressed fusing Country with Hip Hop.
"I think people are looking at things wrong when they try to do that," he said when asked about Hip Hop and Country music collaborating. "It's not about one music embracing another, it's about fans that appreciate the collaboration. It's not about Country music embracing Hip Hop or Hip Hop embracing Country music, that's not what that's about, it's for people that like the collaboration.
"Everybody's not going to like the collaboration," he continued. "Everybody don't like R&B mixed with Hip Hop. As funny as that may sound because you see it happen all the time, everybody don't like it, and it's the same thing with every genre of music. It just so happens that that came together and we had a lot of people that supported it."
Nelly has had endeavors in the Country music scene. Aside from his 9-times Platinum-selling debut album, Country Grammar, featuring themes of country life, in April he was featured on a remix of the highly popular single "Cruise," by Country music duo Florida Georgia Line.
Watch Vlad TV's full interview with Nelly below: